Nowadays, people not only use the words “I love you”, “You are my No 1.” “My lover” and do on to show their loves to their girlfriend, boyfriend, wife, husband and so on. A song with romance and love is also the ideal way to show your heart.
From now on, I will search and select some romantic songs to welcome the following Valentine’s Day. Every song you can find from iTunes Store to buy get a whole M4P song, you can also use the iTunes Converter to convert the M4P songs to MP3, and send them with your lover as you like.

“I Can’t Stop Loving You” — Ray Charles Hot 100 Peak: No. 1 for five weeks (1962)
Back in 1958, Don Gibson wrote two songs one hot afternoon in Knoxville, Tenn. — “Oh Lonesome Me” and “I Can’t Stop Loving You.” Four years later, Charles only needed to hear the first two lines of the latter before deciding to record it for his album “Modern Sounds in Country and Western Music.”
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“Best of My Love” — The Emotions Hot 100 Peak: No. 1 for five weeks (1977)
When the Stax label folded, the three Hutchinson sisters had to find a new home. They were signed to a production company run by Maurice White of Earth, Wind & Fire. With group member Al McKay, White wrote this song specifically for them and the lead voice of Wanda Hutchinson.
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“Because I Love You (The Postman Song)” -Stevie B Hot 100 Peak: No. 1 for four weeks (1990)
Songwriter Warren Allen Brooks says his No. 1 hit was a “spiritual song,” even if people think he was writing about love between a man and a woman. “It’s really about me and God having a personal relationship.”
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“Let Me Love You” — Mario Hot 100 Peak: No. 1 for nine weeks (2005)
Mario didn’t realize this song was going to be so huge. “I didn’t know it would touch so many people,” he says. “But it was an emotional song and those records last forever.”
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“I Will Always Love You” — Whitney Houston Hot 100 Peak: No. 1 for 14 weeks (1992)
Houston’s signature song was originally a No. 1 hit for the woman who composed the tune, Dolly Parton. Her version topped the Hot Country Songs chart in 1974 and again in 1982.
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“Silly Love Songs” — Wings Hot 100 Peak: No. 1 for five weeks (1976)
1976 was a very good year for love songs achieving pole position on the Hot 100. First there was “Love Rollercoaster” by the Ohio Players, followed by Paul Simon’s “50 Ways to Leave Your Lover,” “Love Machine” by the Miracles, “Let Your Love Flow” by the Bellamy Brothers, “Love Hangover” by Diana Ross and the longest-running “love” No. 1 of the year, Wings’ “Silly Love Songs.”
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“How Deep Is Your Love,” Bee Gees Hot 100 Peak: No. 1 for three weeks (1977)
Barry, Robin and Maurice Gibb hadn’t seen the script for the movie that became “Saturday Night Fever” when they wrote “How Deep Is Your Love” for the soundtrack. They weren’t even certain that there was a love scene in the film. They intended the song for Yvonne Elliman, but their manager Robert Stigwood insisted they record it themselves.
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“We Found Love” — Rihanna feat. Calvin Harris Hot 100 Peak: No. 1 for 10 weeks (2011)
What could be more romantic than finding love in a “hopeless place”? Rihanna scored the biggest hit of her career (and the top ‘love’ song of the 21st century) with only her fourth Hot 100 entry to feature “love” in the title, following “If It’s Lovin’ That You Want” (2005), “Hate That I Love You” (2007) and her featured role on Eminem’s “Love the Way You Lie” (2010).
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“I’ll Make Love to You” — Boyz II Men Hot 100 Peak: No. 1 for 14 weeks (1994)
When the members of Boyz II Men first heard Babyface’s composition “I’ll Make Love to You,” they were concerned about recording a song that was too similar to their previous hit, “End of the Road.” Nathan Morris explains, “The record company talked us into doing it and thank God it worked.”
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“Endless Love” Diana Ross & Lionel Richie Hot 100 Peak: No. 1 for nine weeks (1981)
Producer Jon Peters and director Franco Zeffirelli asked Lionel Richie to compose an instrumental along the lines of the theme from “Love Story” for their movie starring Brooke Shields. When Zeffirelli changed his mind and asked Richie if he would add lyrics, the Motown star agreed to write some. Then Zeffirelli made one more request — to add a female singer, someone like Diana Ross.
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In addition, if you are have some downloaded Apple Music and protected audiobooks to want to 


“Hello, Goodbye”: This is basically a transcription of Jewish family dysfunction: “I say ‘high,’ you say ‘low’ … you say ‘goodbye,’ I say ‘hello.’” This Paul McCartney composition has often drawn comparisons to the George and Ira Gershwin song, “Let’s Call the Whole Thing Off.”
3. “Baby’s in Black”: Often mistakenly thought of as a lament for a girl who has chosen another man, in fact the woman in question - “She thinks of him, and so she dresses in black” – is clearly thinking of Him, and has joined up with a Hasidic sect.
4. “Inner Light”: One of the rarest of Beatles recordings, this number is really a George Harrison solo track that got tacked on as the B-side of the single version of “Lady Madonna.” While musically and lyrically the song is ostensibly influenced by Indian thought and music, it’s often been noted that principles of Buddhist meditation bear a close kinship to mystical Judaism (see Rodger Kamenetz’s brilliant study, “The Jew in the Lotus”), and Yiddish and Indian music are both modal-based forms, thereby sharing a natural affinity.
5. “Taxman”: My father was a CPA. My father was Jewish. Hence, this is a Jewish song.
6.“Something”: Mistakenly thought to be written for his wife, Pattie Boyd, even composer George Harrison stated clearly that by this time in his career, his love songs were directed to a higher form of love. In a 1976 interview with Rolling Stone, the intensely spiritual Harrison confirmed what I always heard in this song when he said, “All love is part of a universal love. When you love a woman, it’s the God in her that you see.” In other words, this a love song to the Shekhina.

9. “Across the Universe”: While John Lennon’s composition was heavily influenced by his interest in Transcendental Meditation – it invokes “Jai Guru Deva. Om” – it also hinges on the Kabbalistic belief in the Creation story that resulted in shattered vessels of divinity when he sings about, “Images of broken light, which dance before me like a million eyes/ They call me on and on across the universe.”